ABOUT

Who has experienced the swirling feeling of realizing that grass which looks like grass was very different at a closer look from the grass one knew?

The work is inspired by a fascination with Space, Movement and Time.

The practice is an ode to gaps, missing parts, incongruous insertions, intervals, cracks, escape routes. Lost and found, but not quite the same anymore.

The approach – textiles, video, animation, installation, writing and illustration – is adapted to collaborations and circumstances.

The materials are found in the everyday, recycled, related to ‘home’, does not require heavy tools or equipment, can be worked on anywhere.

Education

2007-09
Masters of Fine Arts (Sculpture)
Monash University, Melbourne, Australia
1992-95
B.A. (Honors) Fashion/ Textiles
University of Central England, Birmingham, U.K
1990-92
B.Tech. in Fashion Design
Falmouth School of Art and Design, Cornwall, U.K
1988-90
DEUG de Lettres Modernes
University of Lyon II, Lyon, France

Publications

2009
“Everything Reminds Me To Remember You”
Master Thesis, Monash University, Australia. http://www.academia.edu/13433845/Everything_Reminds_me_to_Remember_You
2014
“Dragon Lake”
Picture book, Mekong Migration Network, Thailand
2003-09
“Art and Child Development Training Manual”
Writer and editor, produced in Shan, Burmese and Karen, Studio Xang, Thailand.

Published Articles

2016
“The Cloak of Visibility”
Estelle Cohenny and Raquel Meseger, essay published in "Arts Practices With Communities: Practices and Possibilities", e-book, Partridge Publishing, 2016 https://www.barnesandnoble.com/w/arts-with-communities-felicia-low/1122793401
2007
“Alice and Rosy in Wanderland”
E.Cohenny, Ctrl+P, web magazine, Issue nbr 7
2004
“Creating Communities”
Public Art In(ter)vention Catalogue, p.80-83
2004
“The invisibles”
Chiang Mai Art Museum Journal, published in Thai, Jan-Feb issue.
1998-2003
“W.U.N.”
Dove magazine, published in Burmese, 1998; Procreation/Postcreation, Womanifesto, published in English, 2003.